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29 November 2009

What makes an audience?

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While in the gym recently, I observed a group of people fill the bleachers to watch a squash tournament. Wherever there is human activity, there is competition. Life is full of competition.

Think about it. Every part of life involves competition. We compete with ourselves through a dozen or more years of school to prepare for a career. We compete for jobs. Once at work, we compete to improve our position and income. Men compete for the prettiest girl (I won). Women compete for the best life mate. We compete for recognition and status and satisfaction in life. Competition is in our nature.

Whatever activity people are involved in, they turn it into a form of competition. And with competition comes an audience. I've ridden bicycles, climbed mountains, hiked the Grouse Grind, flown airplanes and jumped out of them. All of these activities, while purely recreational for most, have huge competitive communities. Do you run? There are magazines dedicated to running. Do you Ski? Snowboard? Skate? Competition surrounds these activities. Swimmers compete. Even dog owners compete! And, while I too have golfed and enjoyed the thrill of that game, I've often been amazed that millions watch golf on television or will even walk from hole to hole in the pouring rain to watch others try to hit a dimpled ball into 18 small holes in the least number of tries.

The secrets to building an audience


What makes an audience tick? Those who watch competitions, like the squash game going on in my gym, generally know something about the activity. There would be little thrill in watching something if you didn't know at least some of the rules. But they don't necessarily play. So what is the secret to building an audience?

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25 November 2009

Three lessons from DWTS

Dancing With the Stars is light entertainment for those involved in high-level competitive DanceSport, but many of us enjoy the show, and its popularity helps contribute to awareness of our sport.

Season 9, which ended last night, offered more than the casual entertainment value of previous seasons. For the first time, I found myself greatly interested in the three finalists. Each one was worthy of winning the coveted mirror ball trophy, and for completely different reasons. I realized that each finalist represented a different, yet vital, aspect of what partner dancing is all about.

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09 November 2009

How far do we go to entertain?

Maksim Chmerkovskiy recently published a couple of blog posts that address an issue which has been gaining increasing attention in the dance community. The issue is that of balancing entertainment and respectability. The antics of the judges on television shows such as Dancing With the Stars has become so outrageous that it threatens to undermine the very image of judges in all aspects of our culture.

How much "entertainment" is enough? And when does it cross the line to bring disrespect to the entire adjudication process?

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